Ashley Chew Promotes Resilience, Regality, and Visibility of Marginalized Groups
In 2015, Brooklyn-based artist and culture writer Ashley Chew painted ‘Black Models Matter’ onto a handbag. Her hashtag went viral during New York Fashion Week and was supported by Zac Posen, Iman, Bethann Hardison, and many others. At the time, runways and advertisements featured less than 10% people of color. As a result of her activism and the ensuing movement, they are now over 43%.
Chew was named one of ‘26 To Watch Under 26’ by Pattern Magazine and selected as an ‘Artist of the Week’ by Milk Studios. She has written on diversity and inclusivity for Vogue, Harpers, and Cosmopolitan, served as a panelist for the New York Times, and participated in artist residencies in London, South Africa, Indianapolis, and New York. Rather than focusing on images of ‘black trauma’ depicted in the news, Chew paints resonant portraits of artists and activists that pay tribute to the ‘resilience, rest, regality, and visibility of marginalized groups.’
As an advocate for social change, Chew longs for the day when her work will be considered on its own merits instead of being featured at specific times of year. She doesn’t object to being highlighted during Black History Month, or featured in BIPOC exhibitions, but questions this targeted approach.
As a BIPOC Artist you have to create your own niche, literally. There's time when your work is "too black", "too feminine," "too sensitive". So you just paint. I am all of those things, why does my work only have to go into a "Black" show, why does my work only have to go to a "Woman's" show. Why can't BIPOC Art just hang among everyone else's Art and just be? For example. Some months are slow but when Black History Month rolls around every February then I get calls and emails. Why is that? Why can't our work be celebrated year round? Although I am grateful to be highlighted during that time, we must go beyond performative Activism and support.
Chew’s interdisciplinary projects address the sobering fact that only 4% of galleries, museums, and art fairs worldwide contain work by Black Women. Her work presents a call for action to members of the creative sector and beyond, and is a painful acknowledgement that there are still countless battles to be won.
New Book By Katie Love
From Cult To Comedy, A Memoir, by Katie Love
The year is 1970. The horror soap opera “Dark Shadows” is all the rage, the Vietnam War is raging and nine-year-old Katie, an imaginative and independent latch-key kid, comes home from school to discover her mother’s suicide.
Taken in by her older sister who has recently become a Jehovah’s Witness, Katie is shown an illustration from a bible picture book featuring wild animals peacefully lounging by a pool of water, surrounded by happy people picking fruit. An enticing offer is made: “Katie, this is Paradise. Do you want to see Mom again, happy and living forever? All you have to do is follow all of Jehovah’s commandments and you can be with Mom again.”
Mom happy and living forever? Two tickets to Paradise, please!
So begins Katie’s zealous quest to attain perfection and entrance into a utopian world which promises peace, love, and happiness. She discovers a much darker world. “Two Tickets to Paradise, from Cult to Comedy” tells the hilarious and heartbreaking story of an earnest, bible-toting kid intent on saving the world, and follows her metamorphosis into a boisterous comedian intent on saving herself through the healing powers of humor.
Table of Contents
- Ashley Chew — Artist Statement
- Grant Submission Work
- Ashley Chew – Artist Bio
- Ashley on the Web And Social Media
Ashley Chew — Artist Statement
Grant Submission Work
Ashley Chew – Artist Bio
Ashley Chew is an Artist, Activist & Culture writer based in New York, NY. Chew's paintings focuses on the resilience, rest, regality and visibility of marginalized groups. This is a direct contrast of the trauma depicted across mass media.
Milk previously named Chew “Artist of The Week”. PATTERN Magazine listed her one of “The 26 To Watch Under 26”. Chew has completed Artist Residencies at Driftwood Studios in East London, South Africa, and The Madame Walker Theatre in Indianapolis, IN.
Chew has written on Diversity and Inclusion for Vogue, Harper’s Bazaar, and Cosmopolitan. She has also been a panelist for The New York Times, Columbia University.
Chew is an Artist-In-Residence at Stonehenge NYC located in New York, NY.
Ashley on the Web And Social Media
Here’s where to find out more about Ashley Chew on the web and social media:
About the Artist of the Day Series
All artworks have been published with permission of the artist. Our "Artist of the Day" series is a regular feature highlighting artworks from the 100's of grant applications we receive. The "Not Real Art Grant" is an annual award designed to empower the careers of contemporary artists, and this is one way we honor all entries we receive. Find out more about the grant program here.