Joseph O’Connell, founder of design and fabrication firm Creative Machines, explains how curiosity and ingenuity shape his studio’s public artworks.
Our Podcasts
‘Voodoo Craftsman’ Marcus Brown on History, Cultural Memory, and Technology in Public Spaces
New Orleans artist Marcus Brown talks America’s suppressed histories, the spiritual mechanics of making, and why he places cultural memory in plain sight.
250: A Coast-to-Coast Celebration of Public Art in America With Toni Sikes of CODAworx
CODAworx CEO Toni Sikes joins us to discuss how the leading public art platform teamed up with NOT REAL ART for a major exhibition.
Portraits of Pride: Joan Cox on Painting Modern Love, Queer Visibility, and Finding Your Artistic Voice
Joan Cox discusses how intimate scenes of queer love are fueling her momentum, from international prizes to a spot in NOT REAL ART’s ‘Modern Love’ exhibition.
Michael Moore’s ‘Frankenstein’ Machines Make Waves in Artforum’s People’s Artist Contest—Here’s How to Cast Your Vote
Michael Moore’s wild kinetic assemblages earn national spotlight as a finalist in Johnny Depp’s People’s Artist Contest. Find out how you can help him win.
Public Art, Rebooted: Carmen Zella on the Rise of Digital Urbanism
Carmen Zella, founder of NOW Art, is reinventing LA’s public spaces by blending art, tech, and community, transforming the city into an open-air gallery.
FotoFest at 40: Chris Wicker Unpacks Houston’s ‘Global Photo Party’—and His Own Absurdist Art
Chris Wicker, exhibitions manager at FotoFest, shares insights on organizing Houston’s 40th anniversary photo biennial and his own multidisciplinary art.
Embracing Your Fears as Fuel With Zinzi Gugu Johnson
Filmmaker Zinzi Gugu Johnson joins us to discuss ‘Fears,’ her new short film that turns American anxieties into darkly humorous cinema.
Art World Horror Stories: From Natural Disasters to Mangled Masterpieces and Social Media Meltdowns
In our annual Art World Horror Stories episode, host Scott “Sourdough” Power narrates three tales of terror from artists Jacobina Oele, Wendy Newman, and Mellyssa Diggs.
Art21 Premieres Season 12 of ‘Art in the Twenty-First Century’ Amid Funding Cuts
Art21 Director of Development, Lolita Fierro, discusses the latest season of the nonprofit’s flagship TV series, despite recent executive orders defunding the NEA.
The Art of Not Being Boring: Polymath Hans Fjellestad on Chaos and Creativity
Join polymath Hans Fjellestad as he discusses music, filmmaking, and the creative chaos of live performance in this week’s podcast episode.
Filming the ‘Arthouse’ Pilot
This week, we take you behind the scenes of our recent adventure filming the pilot for ‘Arthouse’ in Scott ‘Sourdough’ Power’s hometown, Chicago.
Curator Rebekah Tolley on the Rise of the Digitalism Movement
Self-described ‘digitalist’ Rebekah Tolley discusses her role in launching Digitalism, a landmark exhibition that returns to the British Art Fair this fall.
Discover AskChris.AI, The Revolutionary AI Platform Designed for Artists
Creative strategist Chris Davies, creator of AskChris.AI, shares insights on how his innovative tool provides advice, support, and inspiration for artists.
‘American Clown’: Guilford Adams’ Documentary Peeks Behind the Make-up
Professional clown and co-director Guilford Adams discusses his film ‘American Clown,’ which explores the challenges and stigmas faced by modern clowns.
More Arts Podcasts We Love

ArtsvilleUSA
ArtsvilleUSA is an Asheville-based nonprofit dedicated to promoting the arts community of Western North Carolina. Through exhibitions, podcasts, and storytelling, ArtsvilleUSA amplifies the voices of local artists and arts organizations, celebrating both traditional crafts and contemporary makers from Asheville galleries to rural studios and mountain communities.
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Thank you!

Appreciate the grant and how easy the process has been. I enjoy the email updates and newsletters. Thank you!
No complaints!
You keep us informed…

“I actually enjoy the weekly emails and I look forward to them. I think it is great that you keep us all informed.
Will there be cake?

Overall, you are doing okay. However, all the emails revving us up for "the big announcement," triggers a stress response in me. I don’t want to be wound up and revved up for yet another rejection. It’s like dealing with my aging cat sitting at the door. In or out? Make up your mind. Will there be cake afterwards? I do better with cake.
Thank you for the great experience

I’ve been so anxious throughout this whole process, but in a good way! This is the first grant I’ve ever applied for and I wasn’t sure how the experience was going to go. I want to thank you for the great experience and for being so informative.
Well done…

This build-up to the "big announcement" is kind of nice! Even if I get it I appreciate the anticipation and recognition. I also love the concept since so much of our work is hard to define or categorize, as art should be, not the exception. Well done!
Your updates make me feel involved and appreciated

It’s wonderful to be updated on the status of the grant process. Many times, when you submit for a grant, you don’t hear anything. This can be very nerve wracking. The updates make the artist feel more involved and appreciated.
I loved the podcasts too
I felt understood as an artist…

I really enjoyed the process of applying to this grant. Unlike some other grants, I felt understood as an artist. I also really appreciate the frequent email (updates) which keep us in the loop. I truly feel part of this process, regardless of the results. It really makes me want to be a part of this community.
Not looking for trophies

Instead of an "art trophy" for winners, why not just add more to cash the grant award? Pretty sure grant applicants are not looking for trophies.
Great overall

I’ve found the experience with the NOT REAL ART Grant to be great overall! Not once have I felt out of the loop, every email is informative and interesting! I really appreciate being regularly updated on the current status of the application, as well as new and exciting events!
Thank you for all you do

The submission process was straight forward and you provided a way for video to be viewed which can sometimes be a challenge in submission processes. Thank you for all you do and for your support of the arts!





