What happens when you stare fear in the face and choose to laugh? Filmmaker Zinzi
In Season Two of Remote, filmmaker Badir McCleary broadens his geographic scope
In Season Two of Remote, filmmaker Badir McCleary broadens his geographic scope
Throughout history, figures like Jane Goodall, Benjamin Franklin, and Leonardo
There’s nothing an audience loves better than watching a beautiful woman bleed.
Badir McCleary is cool. So cool, in fact, that the Texas-based filmmaker often finds
In Season Two of Remote, filmmaker Badir McCleary expands his geographic horizon,
How does public art in the U.S. reflect and shape our communities and cultural identities?
What role does public art play in our communities? And how has it changed across
Badir McCleary approaches the large bronze bell, eager to pull its lever and strike
Does the name Keith Haring ring any bells? How about Jean-Michel Basquiat? In
“Sometimes it’s too hot to shoot,” says L.A. filmmaker Badir McCleary, who,
Badir McCleary stands in front of a jagged 340-ton boulder levitating 15 feet in
Remote, Badir McCleary’s video series on public art, opens with an ambitious
Blue and gold historical plaques are everywhere in Philadelphia. Numbering in the
"Dude, I didn't even know that existed." It’s a phrase Badir McCleary
“Film has always been my gateway to a larger world,” says “official film nerd”
Was the iconic Roy Lichtenstein a great artist, a thief, or both? This is the question
Filmmaker Andi Avery wants to confess a terrible secret. “I don’t really like
To Elijah McKinnon, dreaming is a survival tactic, a blueprint passed down through
Welcome to a special Father’s Day edition of the NOT REAL ART Podcast! Today, you’ll